News — in daylight

Artist Spotlight: Maarten Groen

Posted by CineStill on

We first discovered Maarten Groen on Instagram and quickly became huge fans of his stunning work. Shooting almost exclusively CineStill Film, he recently self published a book of images shot on our film!

For this spotlight, we simply asked Maarten to talk about shooting impactful still photographs alongside his work as a film director. Thank you Maarten for supporting CineStill and for being such a beautiful part of our film community!

Hi, I’m Maarten Groen and I’m an analog addict...

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Artist Spotlight: Ethan Gulley - Desert & Denim

Posted by CineStill on

Alabama-born and California based photographer Ethan Gulley first popped onto our radar with his bold commercial and editorial photography, and as founder of the independent publication Sonder Mag.
Ethan recently packed up a bag full of CineStill Film and headed to Joshua Tree to document Desert & Denim, a festival for entrepreneurs, artisans and idealists. The results are stunning, with a palpable sense of western nostalgia and craft flair. Thanks for taking us along on your adventure, Ethan!

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Medium Format CineStill 50D Pre-Sale in 120!

Posted by CineStill on

Greetings fellow film makers and film shooters! It is with much excitement that we finally get to announce the Pre-Sale of CineStill 50D in medium format!

Throughout the crowdfunding campaign, it was amazing to see the support for 800T in medium format. After reaching our goal for 800T, we set our sights on bringing 50D to 120 as well. You made your support for it clear so we made it our mission to make it happen. Sadly, we fell slightly short of our stretch goal which could have secured enough funds for its own simultaneous medium format production run alongside 800T. But we remained determined to make it happen. 

We built a whole new production facility, encountered many challenges and wound up doubling down, dollar for dollar, to fulfill the dream that we shared with thousands of analogue Film Makers. Following the fulfillment of the 800T 120 Alpha and finally the full retail release, we continued honing our process to a point where we could further invest in our vision to make the world's finest grain color negative film for the world's finest format! 

So, without further ado, we are excited to announce that we're finally bringing 50D to the world of medium format! We’ve opened pre-orders on our store so you can be among the first to get your hands on 50D in 120 this summer!

We are continually thankful for all of the support and faith of this awesome community, and are immensely grateful that we get to bring such an exciting new film stock to the market. We’re going to love shooting it just as much as you, and we can’t wait to throw a roll in our cameras!

CineStill 120 50Daylight


Click the link, preorder, and be the first to shoot Cinestill 50D in 120!

Stay golden film shooters, the renaissance is still silver! 

Your Film Family,
Cinestill Inc.

 

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Soft Mountain Light in Vivid Color on 800T by Danny McShane

Posted by CineStill on



Photo: Danny McShane // www.dannymcshane.com // www.facebook.com/dmfilmmakerphotographer
Subject: Tully Davidson
Lab: Film Frenzy
Camera: Canon EOS 1VHS / 24-70 2.8L
CineStill Film 800Tungsten rated at 640 in daylight with no correction filter
Location: Mount Tallebudgera, Gold Coast Hinterland, QLD, Australia

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Natural Beauty on 800T - Rolland Andras Flinta Does it Again!

Posted by CineStill on

We are continually amazed by the beauty consistently captured by Rolland's vision and CineStill Film! It's work like this that inspire us to continue advancing and making more film for photographers around the world to create images the way that they want to!

Photographer: Rolland Andras Flinta (Fligrafie.com)
Camera: Pentax Spotmatic F
Film: CineStill 800T (daylight no filter)

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Beta test exposure bracketing 500Tungsten

Posted by CineStill on

Mixed tungsten and gloomy window light, general in camera meter. Full stop bracketing. No push processing in standard C-41 machine. Scanned on a Fuji Frontier SP2500 w/ minor correction.
100%crop from the same scene so you can see how exposure effects grain. 
Very cool overcast light on a rainy day in L.A. from EI 100-6400 no push, no filter, ugly image of boring building (pretty much as bad as it...

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